The journal of the Center for Documentary Arts, a nonprofit initiative to bear witness to suffering and promote the common good through the arts. At the crossroads of art, ethics, faith, and social justice, the Center brings together makers and thinkers whose work advances beauty, compassion, collaboration, dignity, and mercy.


The Center for Documentary Arts is an independent, nonprofit initiative to integrate art, culture, and humanitarian awareness. Broadly defined, documentary arts are narrative and lyric forms of photography, film, oral history, visual art, poetry, etc. that address social themes, bear witness to the human condition, and add to the world's quotient of beauty and mercy. The Center exists to promote and connect artists of the highest accomplishment who seek through their work to impact conscience and consciousness. Such art penetrates the heart, awakens compassion, and fosters justice, essentials for the activism Dostoevsky and Martin Luther King called “love in action.” The Center exists to serve these principles through exhibitions, film screenings, readings, publications, and any activity that presents and amplifies the work of like-minded creators.

The Center for Documentary Arts was founded in 2009 in partnership with the Sage College of Albany, with funds from the estate of Kayla Mitchell. The first public project was the exhibition Battlesight: Dispatches from Iraq and Afghanistan by International Photographers, October 22 through December 19, 2010, at the Arts Center of the Capital Region. The exhibit, curated by founder and director Timothy Cahill, featured work of Pulitzer-Prize winner Cheryl Diaz-Meyer, Balazs Gardi, and Teru Kuwayama. Critic David Brickman wrote, “It's as though the International Center of Photography opened a branch in Troy. The exhibition Battlesight is that good and that important.”  

Selections from Battlesight were selected as the featured exhibition for the 2011 Rensselaerville Festival of Writers, July 29-31, 2011.

In 2011, the Center presented the "New Narrative Film Series" of new documentaries at the Opalka Gallery at the Sage College of Albany. The series hosted filmmaker Hugo Perez, who led a screening and discussion of Neither Memory Nor Magic, his portrait of the Hungarian Holocaust poet Miklós Radnóti.  Director Julia Haslett presented the New York premiere of her film An Encounter with Simone Weil. Also included were the area premier of Roko Belic's Happy and a screening of Andrew Himes' meditation on battlefield poetry, Voices in Wartime, with special guest Dr. Ed Tick.

Other activities included an exhibition of Vietnamese children's art, readings by author/activist Helen Benedict, and public interviews of writers and artists.  

In 2013, operations at the Center were suspended when founder Timothy Cahill accepted an invitation to pursue studies in art and theology at the Yale Divinity School. Plans are currently underway for activities to resume in the Fall of 2017. 

—updated April 2017  

Something beyond the void

In his book  Pictures and Tears , James Elkins describes the charged silence that fills the Rothko Chapel in Houston, Texas. The space ...