A publication of the Center for Documentary Arts, an independent, nonprofit initiative to integrate art, culture, and humanitarian awareness. The Center promotes narrative and lyric forms of photography, film, oral history, radio, theatre, paintings, poetry, etc. that address social themes and bear witness to the human condition. A full description can be found on the About page. Curated by Timothy Cahill.

25 September 2011

Film Screening: An Encounter with Simone Weil



The following is a press release for the Center's upcoming screening of Julia Haslett's exquisite documentary An Encounter with Simone Weil. For more about Simone Weil and Julia Haslett, see my post here.

Quest for a compassionate life is subject of film to be screened
at Opalka Gallery October 16

Dialogue with director Julia Haslett follows exclusive presentation of her 
acclaimed documentary An Encounter with Simone Weil

Acclaimed director Julia Haslett will lead a discussion following the screening of her new documentary An Encounter with Simone Weil on Sunday, October 16 at 4 p.m. at the Opalka Gallery at the Sage College of Albany. The exclusive Capital Region screening and discussion is organized by the Center for Documentary Arts at The Sage Colleges and the Opalka Gallery. The event is opened to the public.

An Encounter with Simone Weil is a moving portrait of French philosopher, educator, and activist Simone Weil (1909-1943), who spent most of her too-short life advocating for the socially and politically disadvantaged. Using Weil’s writings and teachings, Haslett tells the dramatic story of an extraordinary young woman whose decision to act on her convictions led her into hardship and spiritual revelation. In her quest to understand Weil (pronounced “veigh”), filmmaker Julia Haslett confronts profound personal questions about her own moral responsibility toward society at large and her family.

Haslett begins with Weil’s belief that, “Attention is the rarest and purest form of generosity.” With this quotation as the film’s moral center, Weil’s extraordinary biography is revealed through archival film shot during her lifetime, previously unseen family photos, and modern footage of places she lived and worked, as well as interviews with key people connected to Weil. Haslett then uses Weil’s experience as a framework for her own life, including intimate vérité footage of the filmmaker’s family and personal hardships. Drawing on current news and observational footage, Haslett’s narration draws provocative comparisons between Weil’s insight and the world today. The result: a deeply moving and unique film that questions what it means to bear witness to suffering, and plumbs the quest to live a compassionate life.

Filmmaker Michael Moore chose An Encounter with Simone Weil for a Special Founders Prize at the 2011 Traverse City Film Festival. The documentary was also an official selection at the prestigious Full Frame Documentary Festival earlier this year.

In her brief life, Simone Weil (1909-1943) fought in the Spanish Civil War, worked as a machine operator and farm laborer, debated Trotsky, and was part of the French Resistance. The daughter of affluent Jewish parents, she spent her life advocating for the poor and disenfranchised in France and for colonized people around the world, bravely organizing and writing on their behalf. A consummate outsider, who distrusted ideologies of any kind, Weil left behind a body of work that fills fifteen volumes and established her as a brilliant political, social, and spiritual thinker.

In her writings, she analyzed power and its dehumanizing effects, outlined a doctrine of empathy for human suffering, and critiqued Stalinism long before most of the French left-wing. She believed intellectual work should be combined with physical work, and that theories should evolve from close observation and direct experience. And, after three Christian mystical experiences, she began grappling with religious faith, its role in human history, and the shortcomings of organized religion. Her ideas have influenced countless people, including Susan Sontag, Graham Greene, and T.S. Eliot. The New York Times described her as “one of the most brilliant and original minds of twentieth-century France.” But by far her biggest advocate was the existentialist philosopher Albert Camus, who played a major role in getting her work published after her death.

“I made this film for personal and political reasons,” says director Haslett. “The questions it poses are fundamental and the stakes it raises are quite literally life or death. The film can take a while to sink in, but my idealistic hope is that once it does, it will bring a little more compassion into the world.”

Haslett will discuss the making of the film, and answer audience questions, immediately following the screening. The one-time-only showing will be in the theater of the Opalka Gallery on the campus of the Sage College of Albany, 140 New Scotland Road. Parking is free on campus. Admission is $5, free for Sage students with a valid ID.


The screening and discussion are a presentation of the Opalka Gallery and the Center for Documentary Arts, as part of the 2011 MoHu Festival of Arts. The event inaugurates the Center’s ongoing series of film screenings, readings, and artist appearances featuring narratives of hope, dignity, and compassion that can transform individual lives and impact collective experience.


“I am extremely pleased to host Julia Haslett,” said Timothy Cahill, director of the Center for Documentary Arts. “Simone Weil, and Julia’s film about her, embody the values of ethical engagement and artistic excellence the Center for Documentary Arts stands for.”

The Center for Documentary Arts, hosted by The Sage Colleges, is a not-for-profit cultural organization founded in 2009 to raise humanitarian awareness and foster compassion. Last year, the Center mounted the photography exhibit Battlesight: Dispatches from Iraq and Afghanistan by International Photographers at the Arts Center of the Capital Region.


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