Art & Document (formerly the journal of the Center for Documentary Arts) is a project at the crossroads of art, ethics, faith, and social justice. Created by Timothy Cahill, Art & Document presents artists, writers, and thinkers whose work promotes the common good, bears witness to suffering, and manifests qualities of beauty, compassion, dignity, justice, and mercy.
21 January 2011
"Love in Action"
The foundation of King's philosophy was described with swift clarity by sociologist Gayle Sulik earlier this week in her website blog. I am just getting to know Dr. Sulik via email, and she has become a stimulating and inspiring new ally. Her new book Pink Ribbon Blues examines how activities of breast cancer awareness groups, while well-intentioned, often undermine efforts to improve cancer treatment. Her work has given her stark insights into questions of suffering, compassion, and hope, common ground we have begun to explore. Her recent posting, "The Heart of Social Reform: Dr. Martin Luther King, Jr." begins with a brief explanation of how King came to his ethic of non-violence through the work of Gandhi and Hindu philosophy:
Martin Luther King, Jr. was a reverend and scholar committed to social justice and nonviolent action that, above all, emphasized the power of love as a potent social force. King wrote six books and numerous articles on the subject, stressing the rational and moral necessity of “Love in Action.” How often do we hear those words in public debate these days? Yet, the most influential leader of civil rights in this country lived by, and led with, an ethic of love that went beyond his religious upbringing or his pastoral career. In fact, King’s philosophy of love and nonviolent resistance reflect a long contemplative journey.
In his book Stride Toward Freedom (1958), King wrote:
“The intellectual and moral satisfaction that I failed to gain from the utilitarianism of Bentham and Mill, the revolutionary methods of Marx and Lenin, the social contracts theory of Hobbes, the “back to nature” optimism of Rousseau, and the superman philosophy of Nietzsche, I found in the nonviolent resistance philosophy of Gandhi.”
As I think about the direction I'd like to take the Center for Documentary Arts, I am increasingly drawn to the power of "love in action." The idea, as Gayle explains, is grounded in the Hindu concept of satyagraha, which designates a force "that originates in truth and love and is an instrument for social and collective transformation." The ways this applies to art become more and more obvious to me, but in fully embracing them I find I come up against decades of inculcation in modernist theories and notions of "art for art's sake." These ideas insist on the artist's essential autonomy and rail against expectations that art might, can, or even should serve a cause higher than itself. I am not at all prepared to reject these ideas, nor am I sure I even need to. My aim is to more completely articulate the intellectual foundation of the Documentary Center. I am aware, however, of how much the theories still define the mainstream of artistic thought.
Certain strains of post-modernism incorporate aspects of protest, activism, and critical commentary, though often at conceptual heights that elude the attention and comprehension of most of the population. So another part of my inquiry involves the familiar question of accessibility. I was moved by the quote Gayle chose from Stride Toward Freedom, in which King explains that the "moral and intellectual satisfaction" he sought to ground his instincts did not come from the western intellectual tradition, but from a love-based philosophy from India (which combined, of course, with his Christianity). My conclusions are far from complete on this issue, but more and more I suspect the truth I'm working toward does not so much resemble that of modernist thinkers or post-modern theorists, but rather is closer to King and others influenced by love in action.
A ruler who oppresses the poor is a beating rain that leaves no food. Those who forsake the law praise the wicked, but those who keep th...
Photography is inherently fragmentary, and I find I base my faith on perfect moments. –Robert Adams In 2001, Robert Adams...
In his book Pictures and Tears , James Elkins describes the charged silence that fills the Rothko Chapel in Houston, Texas. The space ...